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_Bradbury _
By: Anonymous
A common theme in science fiction is outer space. Many of Bradbury's stories
take place there. As critic Wayne L. Johnson observes, "For Bradbury, space is
not merely a stage upon which stories of the future are played, it is what the
Great Plains were to the pioneers, not just a frontier but a symbol of the
future for the human race" (49). If space serves as a symbol of the future for
the human race, the story "Kaleidoscope" has a large amount of symbolism. In
this story, the crew of a spaceship is shot into space. "The first concussion
cut the rocket up the side with a giant can opener. The men were thrown into
space like a dozen wriggling silverfish. They were scattered into a dark sea;
and the ship, in a million pieces, went on, a meteor swarm seeking a lost sun"
(Bradbury The Stories of Ray Bradbury 143). The view expressed in
"Kaleidoscope" is that although people come from one original being, they grow
apart all the time. This divergent evolution is clearly expressed as each
member of the crew, although separated for a short time, changes their view on
the situation. The crewmen being hurled at the sun has a happy attitude, while
the ones being hurled into darkness are engulfed in it. Bradbury might have
not intended the reader to find this theme in the story, but it shows how
creatures adapt to their environment. Another element of Bradbury's writing is
robots. Wayne L. Johnson explains that "the robot represents the ultimate
heart of the scientific conceit, wherein men's knowledge of the universe
becomes so great that he is able to play God and create other men" (73).
Robots represent the degrading value of life present in society. All of
Bradbury's robot stories found in The Stories of Ray Bradbury come to unhappy
endings. They are "horror stories as well as light-hearted warnings against
taking robots for granted" (74). Many stories with robots are considered
science fiction because robots are considered to be futuristic things.
Bradbury uses robots to show the value people place on science over human
beings. In "Marionettes, Inc.", two men are unhappy with their wives. One man,
Braling tells the other man, Smith, that he has purchased a robot to take his
place as a husband. Braling lets his robot duplicate live with his wife during
the day. Then at night, he locks it up. After a brief discussion, the men part
and go home. Smith returns home to his wife, and he senses that something is
wrong. He finds out that his wife is actually a robot. Then Braling tries to
lock up his robot at home, but the robot instead locks him up, and throws away
the key. It is very ironic how the machine defeats the man. This is a story
about technology being valued more than actual people. Another common element,
Mars, serves as the setting for a lot of Bradbury's works. Mars seems to be a
very effective setting. It produces a feeling of mystery since no man has ever
been there. This is very helpful to Bradbury because he does not give specific
details about his environments. He never gives a literal description of Mars
in his stories. He allows the reader to make their own mental picture of the
surface of Mars (Touponce 230). This is a great aspect of his writings because
by not writing a description of the setting, the reader can enjoy making their
own. Each person can view certain things differently. In Bradbury's stories,
the reader is free to. Space travel represents what the sea once was in
Bradbury's writings. In "The Rocket Man", space travel has become a common
thing. Many people become pilots and crewmen on rocket ships, even though it
is dangerous. To one man, space travel becomes a passionate job. It becomes an
addiction like the sea is for sailors. The man chooses the risk of death and
space over his loving family, and he eventually dies. Space seems to "get into
a man's blood" (Johnson 40). On a larger scale, space represents any addiction
in today's society. Of all the symbolism found in the novel Fahrenheit 451,
there were some examples that were particularly interesting. Bradbury mentions
"this great python" that Guy Montag, the main character, is holding to start a
fire (3). This is in reference to the fire hose that Montag holds. This
"python's" venom is kerosene, which is used to burn the books. The title of
the novel includes the number four hundred fifty-one. Montag wears this number
on his sleeve. Significantly four hundred fifty-one degrees Fahrenheit is the
temperature at which paper burns. Another interesting use of symbolism deals
with the firefighter's helmets. Each firefighter wears a "black beetle-colored
helmet" (4). This description comes from the fact that the beetle, with its
black horns is connected in literature with Satan. The firefighters are
performing satanic acts when burning books. There is symbolism when the
character Beatty says "'Old Montag wanted to fly near the sun and now that
he's burnt his damn wings, he wonders why'" (113), which is similar to the
greek mythological character Icarus. Beatty alludes to Icarus the son of
Daedalus. After Daedalus makes wings and teaches his son to fly, he warns the
boy to not fly too close to the sun. Icarus, intrigued with the power of
flight, flies close to the sun and the wax which holds the wings together
melts, dropping him into the sea below. He drowns. Beatty also says "You think
you can walk on water" (118). By tying these two points together, Beatty is
basically saying that if Montag continues to "fly" higher, then he better be
able to save himself when the time comes. These examples of symbolism were
entertaining pieces of the novel. Bradbury's themes are usually either
slightly hidden or obvious. Prior to the Civil Rights Movement, Bradbury had
published a story dealing with racism. "The Big Black and White Game" takes
place on a warm summer day. Some servants from a hotel play a baseball game
against some of the white guests. Since this story was written a long time
ago, some of the language is harsh, but the story clearly expresses the racist
view of many whites and the kindness of many blacks. The black servants
dominate the white players in the game. A lot of the white men and women
involved in the game are rude and mean to the black people. Since the story is
told through the eyes of a child, the point of view is honest and unbiased.
This story is cleverly written and attacks racism. Bradbury was opposed to
segregation, and he was not afraid to denounce it in the most effective way he
could, through his pen (Bradbury The Stories of Ray Bradbury 280). Bradbury's
stories have very interesting effects on the minds of the characters.
Sometimes characters alter their religious beliefs in these stories. Since
Bradbury believes in transcendentalism, many of the characters in his stories
begin to follow it. In "Powerhouse", a woman turns to transcendentalist
beliefs. After her epiphany, The earth was suddenly more than many separate
things, more than houses, rocks, concrete roads, a horse here or there, a
human in the shallow, boulder-topped grave, a prickling cactus, a town
invested with its own light surrounded by night, a million apart things.
Suddenly it all had one pattern encompassed and held by the pulsing electric
web (Bradbury 294). The woman finds her unity with the universe through
relaxation. Another story that deals with transcendentalism is "The Fire
Balloons." In this story a Catholic priest turns to transcendentalist ideals.
The priest realizes that his beliefs are not necessarily correct, and he
accepts that there are things he does not know or comprehend yet, but that
everything will fit together eventually like a jigsaw puzzle (Johnson 131).
Although he does not write about it often, religious themes are found is
Bradbury's writingsDeath is an interesting theme in Bradbury's writings. In
"There was an Old Woman," a vigorous old woman is actually able to defeat
death and stay alive. He often "reduces death to a palatable symbol, a
somewhat theatrical figure in a Halloween costume" (30). He minimizes death to
an obstacle that can be defeated. The human spirit ends up prevailing in a
fight for its life Imagination is one of the most valuable things to
Bradbury. This is most clearly expressed through "No Particular Night or
Morning." Traveling through space, two men debate existence. One man,
Hitchcock, says that whatever is not in his presence is presumed dead. After
the two men debate for a while, a comet hits the ship they are traveling in.
Hitchcock, convinced that God is trying to kill him, goes insane. Hitchcock
gets in a spacesuit and exits the ship. As he floats into space and away from
the ship, Hitchcock talks to himself. He tells himself "'No more space ship
now. Never was any. No people&Nothing. Only space. Only space. Only the gap'"
(Bradbury The Stories of Ray Bradbury173). To Bradbury, a living human without
an imagination is worse than never being alive (Johnson 54).
Word Count: 1536
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